At the Crossroads of Cultures: Ancient Greek Tragedy in Japan

From

18/01/2025

to

18/01/2025

Ancient Drama

The European Cultural Delphi Centre and The Drama School of the Athens Conservatoire organize the symposium  At the Crossroads of Cultures: Ancient Greek Tragedy in Japan, on  Saturday, January 18, 2025, at 17:00, at the “Aris Garoufalis” Hall of the Athens Conservatoire (Rigillis & Vas. Georgiou B 17-19, Athens).

The symposium aims to explore the influence of ancient Greek tragedy on contemporary Japanese theatre and drama, stressing on the timeless power and the capacity of Greek tragedy to bridge cultures. Through short papers, personal documentation, and archival material, we aim to shed light on various aspects of this fascinating encounter between two major theatrical traditions.

Special Coordinator: George Sampatakakis, Dept of Theatre Studies, University of Patras

PROGRAM

17.00-17.15

Welcoming Remarks

  • Panagiotis Roilos, President of the European Cultural Delphi Centre; Professor, Harvard University
  • Konstantinos Arvanitakis, Director of the Drama School, Athens Conservatoire
  • Ko Shiratori, Cultural Attaché, Embassy of Japan in Greece

17.15-19.00

Round Table

Chair:
Andreas Gofas, Director of the European Cultural Delphi Centre; Professor, Panteion University

Part A

Kyogen and Satyr Play
Katerina Arvaniti, Associate Professor, Department of Theatre Studies, University of Patras

Transcribing Ancient Greek Tragedy: The Case of Tadashi Suzuki’s The Trojan Women
Kaiti Diamantakou, Professor, Department of Theatre Studies, National and Kapodistrian University of Athens

Reinventing Japanese Identity after Hiroshima through Ancient Drama
Pinelopi Hatzidimitriou, Doctor of Theatre Studies, Lecturer, Postgraduate Theatre Studies Program, Open University of Cyprus

Feminist and Queer Adaptations of Ancient Greek Tragedy (Satoko Ichihara and Takeshi Kawamura)
George Sampatakakis, Associate Professor of Theatre Studies, Department of Theatre Studies, University of Patras

Part B

Philosophy and Practice of Tadashi Suzuki: pre-modern body, actor’s training and the relatedness of “projection” in Noh Theatre and Ancient Greek Tragedy
Anastasis Roilos, Actor, Theatre Scholar

The Place of Ancient Greek Drama in Japanese Theatre
Klemes Empeoglou, Actor

Discussion

19:00-19:20

Break

19.20-19.50

Archival Video Screening
A Dialogue of Directors: Theodoros Terzopoulos in Conversation with Tadashi Suzuki